Qajar – iTourismA

Tehran National Garden

2020/01/12/0 Comments/in Architrcture , Art and Handicraft, Tehran, Tehran /by Iran Tourism

The National Garden is one of the buildings on Imam Khomeini street, which was known as the icon of the Tehran before the they create of Azadi Tower and is today one of the spectacular Iran attractions. The National Garden was built during the Qajar era and saw many changes in subsequent years. The National Garden was originally the gateway to the Mashgh Square, which was very important at that time. Shortly after building the gate, the first public garden entitled “National Garden” was founded in the lands of Mashgh square and so it has been renamed to “The Gate of National Garden”. It was then turned into a public park for a short while, and eventually important governmental offices and museums were constructed around it. In the upper part of the building, monitoring station, timpanist and the armed forces passage have been designed. The Gate of National Garden has a gateway for car pass and two for pedestrians.

Mashgh Square and this beautiful courtyard are built in Qajar dynasty. The square area was a military area and the Imperial military force practiced there, and this site was built at the time of Fath Ali Shah for this purpose. This area also had a central barrack, which the military forces were organizing there at that time, and therefore became known as the Mashgh Square. This Square was constructed during the period of Fath Ali Shah Qajar and was launched during Nasir al-Din Shah Period. At that time, a beautiful gate was constructed for the Mashgh square, which comprised with a two-arched door in south- eastern side of the field, and was known as the Naseri door, where in some days Nasir al-Din Shah, from above, Watched the military.

The National Garden is one of the architectural monuments of Iran which is a combination of Iranian and European architectural style and is more visible in paving and tile work. The National garden base, its eight columns and the legs of the pillars are made of brick. The exterior inscriptions are decorated with poems and in its tiling design they used two lions, leopards, lions and sun and machine guns. The building, which was originally intended as the gateway to the Mashgh Square, after a long time after its construction, the plan to create the first park or public garden in the city of Tehran was landed on this Square, and after that the name of the gate changed to the National Garden.

Abyaneh Village

2019/12/29/0 Comments/in Architrcture , Art and Handicraft, Isfahan, Kashan /by Iran Tourism

Abyaneh, which is also known as the Red Village because of its red soil and houses, is an ancient Iranian Village located at the foot of Karkas Mountain, 70 kilometers southeast of Kashan in Isfahan province. Abyaneh is a Village of living traditions and architectural styles. Researchers and archaeologists believe that the village originated about 1500 years ago and is one of the historical places in Iran that has become famous worldwide. According to archaeologists, the old mansions of the Abyaneh village were designed and built during the rule of the Seljuk, Qajar, Sassanid, and Safavid dynasties. Karkas Mountains and its surroundings were the hunting area for Safavid kings and Abyaneh was the destination for their summer vacation. Abyaneh’s high elevation causes cool summer and very cold winter days. Because of its mountainous setting, Abyaneh stayed isolated for many years and people’s customs and language is untouched and preserved. In Abyaneh people speak Farsi with a special dialect belonging to the village only. They still use some words from the Parthian era.

The Village is compact, with narrow and sloped lanes, and houses located on the slope as if placed on a stairway. The houses bear an ancient architectural style, featured by the use of clay as the construction material and latticed windows and wooden doors. Similar to other mountainous villages of Iran, Masouleh or Uraman Takht, Abyaneh has stepped structure with the roof of each house being the courtyard of the one above it.

One of the most interesting points about Abyaneh is the culture of its local residents. Elderly people of the village still speak Middle Persian, which was originally the language of Sassanian Persia and disappeared many centuries ago. The way people dress here is also very notable.Men wear a very loose pair of pants and the women’s traditional costume consists of a long colorful dress, along with a special pair of pants, and a white long scarf with colorful floral design named Charghad. Almost all of the women in the village wear this costume, just like their ancestors. And this tradition makes Abyaneh even more special.

Besides the charismatic beauty of the village, there are historic monuments as well. There is a Zoroastrian fire temple dating back to the Sassanid period, three castles, a pilgrimage site, and two mosques. The most famous monument of Abyaneh is The Great Mosque, with an ancient Mihrab made of walnut wood covered with carvings of calligraphy and floral designs. The Great Mosque is closed and cannot be visited because of its very long and valuable history.

Niavaran Palace Complex

2019/12/23/0 Comments/in Architrcture , Art and Handicraft /by Iran Tourism

Niavaran Palace Complex is situated in the northern part of Tehran with 9000 square meters area in Niavaran Neighborhood. This oasis complex is consists of several parts including palaces, museums, and garden. Niavaran Complex traces its origin to a garden in this region which was used as the summer residence of Fath Ali Shah of the Qajar dynasty. It consists of several buildings and a museum. A pavilion was built in the garden by the order of Naser al-Din Shah which was initially referred to as Niavaran and later it was renamed to Saheb Qaraniyeh. The pavilion of Ahmad Shah was also built in the late Qajar period.

During the reign of Mohammad Reza Pahlavi all the peripheral buildings of The Saheb Qraniyeh Palace, with the exception of The Ahmad Shah Pavilion, were demolished and the buildings and the structures of the present day Niavaran Palace Complex were built to the north of The Saheb Qaraniyeh Palace. In this period, The Ahmad Shah Pavilion served as an exhibition area of the presents of the world leaders to Iran.

The quadrilateral design of the palace and its interior archeological designing is inspired by Iranian archeology while making use of modern technology. Its decorations have also been inspired by the pre and post Islamic art. The gypsum work has been carried out by Master Abdollahi, the mirror work by Master Ali Asghar, the tile work of the outer part by Master Ibrahim Kazempour and Ilia. The building floor is covered by black stone and has an aluminum sliding roof. The internal decoration and furniture of the palace have been designed and implemented by a French group. In the ground floor of this building there is a great hall in which all the rooms are situated, including a private cinema, dining room, guest room, waiting room and lateral halls as well as the Blue Hall.

The amazing library of the palace consists of around 23,000,000 books, mostly in Persian and French languages and especially many books related to philosophy. The building is designed by bronze and glass and the structure is lit well by 300 cylinders that supply the needed lighting of the reading room, audio visual room and the main library. In the basement of this private library, there is a special place for storing paintings and other artifacts.

Golestan Palace

2019/12/17/185 Comments/in Architrcture , Art and Handicraft, Tehran, Tehran /by Iran Tourism

Golestan Palace in Tehran is a fine example of Persian art, history, and architecture. It is the valuable gem sitting in the heart of Tehran carrying memories from Safavid era to Pahlavi kings. Palace complex consists of eight key palace structures mostly used as museums and the eponymous gardens, a green shared center of the complex, surrounded by an outer wall with gates. The complex exemplifies architectural and artistic achievements of the Qajar era including the introduction of European motifs and styles into Persian arts. It was not only used as the governing base of the Qajar Kings but also functioned as a recreational and residential compound and a center of artistic production.

Golestan Palace represents a unique and rich testimony of the architectural language and decorative art during the Qajar era represented mostly in the legacy of Naser al-Din Shah. It reflects artistic inspirations of European origin as the earliest representations of synthesized European and Persian style, which became so characteristic of Iranian art and architecture in the late 19th and 20th centuries. It represents an important example of the merging of Persian arts and architecture with European styles and motifs and the adaptation of European building technologies, such as the use of cast iron for load bearing, in Persia. As such Golestan Palace can be considered an exceptional example of an east-west synthesis in monumental arts, architectural layout and building technology, which has become a source of inspiration for modern Iranian artists and architects. Also, parts of the palace complex can be seen as the origins of the modern Iranian artistic movement.

Golestan Palace stands on the site of the historic Arg of Tehran which was originally built in the time of Shah Abbas of the Safavid dynasty. Buildings commissioned by Naser Al-din Shah such as the Shams ol-Emaneh and the Badgir Mansion show traces of a European architectural style and building technology that the modernizing king was influenced by on his travels.

The Golestan Palace complex is made up of 17 buildings with eight key structures. In its present form, it comprises several different buildings and halls, including the following: the Marble Throne Building, Karim Khani Palace, Diamond Hall, the Wind Tower Building, Hall of Ivory, Shams ol-Emareh, Reception Hall, Special Museum, Hall of Mirrors, Hall of Brilliant Diamonds, White Palace, and the Chador Khaneh or Tent House.