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Tabriz

Tabriz is one of the oldest and biggest cities of Iran on the hillside of the Sahand Mountain which is surrounded by mountains in the north, south and east and flat lands as well as the Talkherud salt marsh in the west, like a partly big hollow or a plain with fantastic view among the mountains, at the height of 1350 to 1550 m above the sea level in different areas. Having some of most famous museums, holding some of the cultural events, and harboring a couple of the most prestigious Iranian universities, the city is considered a major hub for science and culture in Iran. Tabriz was named by the Organization of Islamic Conference as the city of the Islamic world tourism. Tabriz was the residence of the crown prince under the Qajar kings. Tabriz has a high political and economic position and best-known as the “Cradle of Investment” due to the ability to attract large investments from private sectors. It is ranked 1 in attracting investment among Iran cities for five consecutive years.

Tabriz

The main industrial productions of this area are foodstuffs, chemicals, non-metallic mineral, basic metals, textiles and carpet machinery.  In addition, Tabriz has been a heavy industrial center including machinery and equipment industries. It is a leading center for Leather production, in addition to being famous for the other arts and handicrafts, for a long time. Tabriz and Maragheh handmade carpets are famous in all around the world due to their specific design and high quality that their export is considered as one of the significant sources of foreign exchanges in Iran.  Today, Tabriz people speak in Turkish language and this city was the capital of Shia in all around the world and most of its residents are followers of Asna Ashari Shia.

Tabriz

With a very rich history, Tabriz used to house many historical monuments. Unfortunately, many of them were destroyed in repeated invasions and attacks of foreign forces, negligence of the ruling governments, and natural disasters such as earthquakes and floods. What remains now mostly dates back to the Ilkhanids, the Safavids, and the Qajars. Some of the monuments are unrivaled masterpieces of architecture. The most famous monuments of Tabriz are buildings like the Blue Mosque, El Goli Garden, Shahrdari Square, Sa’at Tower and so on.

Tabriz

Abyaneh Village

Abyaneh, which is also known as the Red Village because of its red soil and houses, is an ancient Iranian Village located at the foot of Karkas Mountain, 70 kilometers southeast of Kashan in Isfahan province. Abyaneh is a Village of living traditions and architectural styles. Researchers and archaeologists believe that the village originated about 1500 years ago and is one of the historical places in Iran that has become famous worldwide. According to archaeologists, the old mansions of the Abyaneh village were designed and built during the rule of the Seljuk, Qajar, Sassanid, and Safavid dynasties. Karkas Mountains and its surroundings were the hunting area for Safavid kings and Abyaneh was the destination for their summer vacation. Abyaneh’s high elevation causes cool summer and very cold winter days. Because of its mountainous setting, Abyaneh stayed isolated for many years and people’s customs and language is untouched and preserved. In Abyaneh people speak Farsi with a special dialect belonging to the village only. They still use some words from the Parthian era.

Abyaneh village

The Village is compact, with narrow and sloped lanes, and houses located on the slope as if placed on a stairway. The houses bear an ancient architectural style, featured by the use of clay as the construction material and latticed windows and wooden doors. Similar to other mountainous villages of Iran, Masouleh or Uraman Takht, Abyaneh has stepped structure with the roof of each house being the courtyard of the one above it.

Abyaneh village

One of the most interesting points about Abyaneh is the culture of its local residents. Elderly people of the village still speak Middle Persian, which was originally the language of Sassanian Persia and disappeared many centuries ago. The way people dress here is also very notable.Men wear a very loose pair of pants and the women’s traditional costume consists of a long colorful dress, along with a special pair of pants, and a white long scarf with colorful floral design named Charghad. Almost all of the women in the village wear this costume, just like their ancestors. And this tradition makes Abyaneh even more special.

Abyaneh village

Besides the charismatic beauty of the village, there are historic monuments as well. There is a Zoroastrian fire temple dating back to the Sassanid period, three castles, a pilgrimage site, and two mosques. The most famous monument of Abyaneh is The Great Mosque, with an ancient Mihrab made of walnut wood covered with carvings of calligraphy and floral designs. The Great Mosque is closed and cannot be visited because of its very long and valuable history.

Abyaneh village

Chogan

Chogan has been popular among the kings and Iranian grandee in the past and its name as an aristocratic sport is derived from that. Chogan, known also as polo, is a sporting team game with horses and a version of the modern polo game.  It was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2017. For the first time, Chogan was played during Achaemenians in Iran. As Achaemenians extended their borders to far and vast geographical spots, this ancient Iranian game found its way to other countries too. Chogan as one of the amusing activities between kings, rulers and wealthy people.

Chogan

Kar Namag Ardashir Pabakan, is a middle Persian prose tale written in Sassanid Era. It narrates the story of Ardeshir I, the founder of this dynasty. It’s the first written document that mentions Chogan as an Iranian game. The theme of Chogan has been used widely in different areas of art and literature. For example, it’s been mentioned in the poems of Ferdowsi, Rudaki, Nezami, Sa’di, Hafez, and other great Persian poets. It has been also the theme in many valuable Persian miniatures and the designs on the potteries.

Chogan

Chogan was played differently back then. Horse riding was more of a military and warfare practice. Therefore, this entertainment included horses’ military style marching and riding war horses. As the time went by, Chogan changed to the present day style. Polo firstly just had a recreational function in order to show the Iranian military horses talent. Chogan is a strategic game that requires physical readiness and skill for both riders and horses, just like a miniature battle. In the past, it was a play where the Persian riders exhibited their skills in riding, fighting, and playing as well as the fighting skills, speed, and agility of their horses. The horses of Chogan are called polo ponies. Since horse riding was a military practice in the past, Persians believed the horse that can do well in Chogan, can do well in the war too.

Chogan

Today, in Chogan, ponies are full sized horses used for this traditional Iranian game. In Persian, they are referred to simply as Chogan horses. They should be equipped with safety gears to be ready for the races. They are supposed to have special leg wraps to be protected against the mallets. The line attached to the curb bit must be adjusted in a comfortable and free, so that ponies can be easily levered.

Yazd

Yazd is a desert city in central Iran and the capital of the Yazd province. It is an ancient city dating back to the Sassanid period. It is nicknamed “the City of Wind catchers” in Persian, and in 2017 it was listed by UNESCO as a world heritage. The climate is completely desertic. A network of qanats (tunnels dug to carry water) links Yazd with the edge of the nearby mountain Shir Kuh. Each district of the city is built on a qanat and has a communal center. Some of the city’s inhabitants are Zoroastrians whose ancestors had fled toward Yazd and Kerman when the Muslim Arabs conquered Iran. Yazd is now the last center of Zoroastrianism in Iran. The economy of the area in which Yazd is situated is dominated by agriculture that was modernized through the establishment of farm corporations and processing centers for agricultural products. The chief crops grown include wheat, barley, cotton, oilseeds, indigo plants, fruits, and vegetables.

Yazd is an outstanding example of a traditional human settlement which is representative of the interaction of man and nature in a desert environment that results from the optimal use and clever management of the limited resources that are available in such an arid setting by the qanat system and the use of earth in constructing buildings with sunken courtyards and underground spaces. Besides creating pleasant micro-climate, it uses minimum amounts of materials, which provides inspiration for new architecture facing the sustainability challenges today.

Yazd

Yazd possesses a large number of excellent examples of traditional desert architecture with a range of houses from modest ones to very large and highly decorated properties. In addition to the main mosque and bazaar which are in a very good state, each district of the historic city still has all its specific features such as water cisterns, hammams, mosques, mausoleums, etc. In the city, there are still many streets and alleys which have kept their original pattern, having also many sabats.

Yazd

The most important historical monuments of Yazd are Masjid-e Jame, Yazd Water Museum, Takyeh Amir Chakhmagh, Cistern of Fatemeh-e-Golshan, Amir Chakhmagh Mosque, Market Square Clock, Fire temple, Dakhmeh or Zoroastrian Towers of Silence, Dowlat Abad Garden, Museum of Zoroastrians History and Culture, and etc. which attracts numerous visitors.

Kerman

Kerman is the capital city of Kerman, the biggest province of Iran. Kerman is one of the five historical cities of Iran. From the industrial, political, cultural and scientific points of view, it is the most important city in the southeast of Iran. The city lies on a sandy plain, 1755 meters above sea level, under barren rocky hills. Surrounded by mountains on the north and east, it has a cool climate and frequent sandstorms in the autumn and spring. Kerman is very famous for its long history and strong cultural heritage. Due to the special geographical conditions Kerman province enjoys considerable changeable climate. The population is mostly Persian-speaking Muslims, with a Zoroastrian minority.

Kerman

Kerman city was probably founded by Ardashir I of the Sasanid dynasty and was called Behdesir. Under the Safavid, it came to be known as Kerman and was made capital of a province. Kerman city with a height of 1755 meters is located on a high margin of Lut Desert in the central south of Iran, is the Capital of Kerman Providence. Kerman is counted as one of the oldest cities.

Kerman

The Sar-ta-sari Mall of Kerman is large and there are some old mosques including Masjed-e Malek, Masjed-e Jomeh, Masjed-e Bazar-e Shaah, and Masjed-e Pa Minar. At the western end of the bazaar is the Arg, the former citadel of the Qajar dynasty. Next to it is the Qaleh, allegedly constructed as a citadel by the Afghans during a short-lived subjugation of Kerman. On the Kerman plain stands the Jabel-e Sang and to the west is the Bagh-e Sirif, a luxuriant garden.

Kerman

The great potentials in Kerman province, regarding such resources as industry, mining, agriculture, and service-sector, have all created favorable conditions to establish postgraduate education and research centers for further development of the area. Graduate University of Advanced Technology (GUAT) was thus founded in 2007 with the aim to partly fill this gap. With an area of 2000 hectares, the GUAT is located in Mahan, 28km southeast of Kerman. Currently, there are three faculties providing educational and research services in 39 MSc and 15 PhD programs, together with the facilities prepared in the same campus for commercializing the knowledge-based achievements of the GUAT post-graduate students and researchers.

Kerman

Kerman is the largest carpet exporting center of Iran. The city formerly owed its industrial reputation to its shawl making, but that industry was surpassed by carpet making and is a major exporter of pistachio nuts.

Kerman

Persian Miniature

A Persian miniature is a small painting, whether a book illustration or a separate work of art intended to be kept in an album of such works and it is briefly a richly detailed miniature painting which depicts religious or mythological themes from the region of the Middle East. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts, which probably had an influence on the origins of the Persian tradition. Miniature painting became a significant Persian form in the 13th century, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents.

Persian Miniature

Miniatures are much the best-known form of Persian painting in the West. Several features about Persian miniatures stand out. The first is the size and level of detail; many of these paintings are quite small, but they feature rich, complex scenes which can occupy a viewer for hours. Classically, a Persian miniature also features accents in gold and silver leaf, along with a very vivid array of colors. The perspective in a Persian miniature also tends to be very intriguing, with elements overlaid on each other in ways which sometimes feel awkward to people who are accustomed to the look and feel of Western art. The Persian miniature was probably inspired by Chinese art, given the very Chinese themes which appear in some early examples of Persian miniatures. Many of the mythological creatures depicted in early Persian art, for example, bear a striking resemblance to animals in Chinese myth. Over time, however, Persian artists developed their own style and themes, and the concept of the Persian miniature was picked up by neighboring regions.

Persian Miniature

Kamal al-Din Behzad Heravi was a painter of Persian miniatures and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid periods. He is equally skilled with the organic areas of landscape, but where he uses the traditional geometric style Behzad stretches that compositional device in a couple ways. One is that he often uses open, unpatterned empty areas around which action moves. Behzad’s most famous works include The Seduction of Yusuf from Sa’di’s Bustan and paintings from the British Library’s Nizami manuscript particularly scenes from Layla and Majnun and the Haft Paykar.

Persian Miniature

The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent.

Persian Miniature

Persian Tile Work

The history of tile manufacturing and decorating goes back to the prehistoric period and has an important position among the various decorative arts in Iranian architecture. Iran has the most beautiful tile work in the world. Over the centuries, glazed bricks and tiles have been used to decorate palaces, mosques, monuments, mausoleums, official buildings, schools, and shops.

Persian Tile Work

The importance of tile work in Persian architecture arises from two important factors; first the need to weatherproof the simple clay bricks used in construction, and second, the need to ornament the buildings. Tiles were used to decorate monuments from early ages in Iran.

Persian Tile Work

Evidence of brick work, stucco carving and tile panels from the last 14 centuries have provided much evidence of creative and imaginative nature of Persian Artisans. They placed their art in the service of religious architecture. This religious inspiration found its highest expression in ornate inscriptions, which decorated so many works during these centuries. Mosaic patterns were the first step in the evolution of tile decoration. Imaginative and creative artisans put together mosaic patterns using bits of colored stone and brick and created patterns of triangles, semi-circles and circles in harmony with the structures they were placed on. These patterns later evolved into design of natural subjects, such as plants, trees, animals and human beings.

Persian Tile Work

The art of tile working blossomed in the Islamic period of Iran. It became the most important decorative feature of religious buildings. In Safavid era, artists used Naskh and Thulth scripts. Works of famous calligraphers, such as Alireza Abbasi, Mohammad Saleh Isfahani, Mohammad Reza Imami and Hossein Banna have been found. One of the famous mosques in Isfahan enjoying a rich variety of tile work is Khayyatha Mosque which researches has done lots of examination on it.

Persian Tile Work

Kashan

Kashan is a city in the northern part of Isfahan province of Iran. This is a common destination for tourists due to its multiple historical sites after cities like Isfahan and Shiraz. It is a traditional city with many sites and surrounding attractive villages to discover. Kashan is divided into two parts including mountainous and desert. Kashan is cited in the neighbourhood of two of highest peaks of Karkas chain, Mount Gargash to the southwest of Kashan and Mount Ardehaal in the west of Kashan, also known as “Damavand of Kashan” and the highest peak of Ardehaal mountains, in the west side; and in the east side of the city, Kashan opens up to the central desert of Iran which the city is famous for. Kashan is also known for Maranjab Desert and Caravanserai located near the Salt Lake.

Kashan

Kashan is a charming city due to its contrast between the parched immensities of the deserts and the greenery of the oasis. Archeologists discovered that this region was one of the primary centers of civilization in pre-historic ages in the Sialk Hillocks lied about 4km west of Kashan.

Kashan

Kashan was also a leisure vacation spot for Safavid Kings. Fin Garden, specifically, is one of the most famous gardens of Iran. This beautiful garden with its pool and orchards was designed for Shah Abbas I as a classical Persian vision of paradise.

Kashan

Traditional houses especially, Tabatabaei, Borujerdi, Ameri and Abbasi house feature an incredible architecture, tile work and stucco.

Kashan

Archeological finds yielded conclusive evidence of the fact that Kashan has been the cradle of many Iranian traditional crafts. Kashan maintained its great importance as a center of traditional industries throughout all historical periods. This town, as a city associated with high-quality ceramic production in the medieval period, appears to have been a major site for the manufacture of fine wares.

Engraving

Engraving (Ghalam Zani) is the art of carving designs on various metals such as copper, brass, silver, gold and also some alloys. It’s one of the traditional handicrafts of Iran that its origin goes back to the Sogians period that lived in Caucasus around 5000 to 7000 years ago and had Aryan origins.

Engraving

Resuming this art is due to the diligent attempts of Ostad Mohammad Oraizi and Ostad Mohammad Taghi Zufan during the past eighty years, which has been led to creating tens of outstanding and distinguished metal engravings on the one hand and training the new generation on the other.

Engraving

The decorations are going to be performed on material which has already been shaped with hammer and anvil by another skillful artist. Metalworking masters are those who work with different sorts of metal sheets shaping them in to beautiful dishes, vases, boxes, samovars, and etc. and preparing them to be engraved.

Engraving

Nowadays, due to the hard job and old getting of the masters, the preparation of the metal dishes is sometimes getting performed by machinery.

Engraving

The intricate process of creating each and every piece requires extensive skill, talent, and patience extended by the artists. The artistic movement of the engraver’s hand and the harmonized blows of the hammer and engraving tool will be finally led to creating a unique job.

Engraving

Different scenes from nature, animal and human shapes, flower and plant patterns, hunting grounds, etc., are some of the many aesthetic images hand-portrayed and carved on many kinds of Ghalam Zani pieces.

Engraving

The enchanting Ghalam Zani handicrafts are made in the shape of decorative trays, plates, vases, pitchers, etc. This magnificent art has a long history dating back to more than several thousand years ago. Excavated Ghalam Zani artifacts belonging to the Sassanian, Saljoughi, and Safavid eras are currently displayed at various museums across the world.

Engraving

Khatamkari

Khatamkari literally means decorating objects’ surfaces with small pieces like tiles and it is one of the Persian arts wherein the surface of wooden or metallic articles is decorated with pieces of wood, bone and metal cut in a variety of shapes and designs.

Khatamkari

This art, to some extent, has existed in Iran from long ago. Inlaid articles in the Safavid era took on a special significance, as artists used this art on doors, windows, mirror frames, Qur’an boxes, pen and pen holders, lanterns and tombs.

Khatamkari

Also, in some royal buildings, doors and various items have been inlaid. The inlaid-ornamented rooms in Sa’dabad and Marble Palace in Tehran are among masterpieces of this art.

Khatamkari

Incorporating techniques from China and improving it with Persian know-how, this craft existed for more than 700 years and is still practiced in Shiraz and Isfahan.

How to do it

Gold, silver and etc. can be used for collector coins. These rods are first assembled into triangular beams with geometric patterns, and then these are assembled again and glued into bundles in a strict order to form a cylinder of about 70cm, whose edge shows the unity of the base of the final decoration.

Khatamkari

These cylinders are then sheared in shorter cylinders, then compressed and dried between two wooden plates, before undergoing a final cut that makes slices of about 1 mm in thickness. The latter are then ready to be plated and glued on the support object to be decorated before being lacquered. They can be preheated to soften them, if the object is curved, so that they can perfectly marry the curves. The decorated objects are: boxes, chess or backgammon, frames, or even musical instruments.

Khatamkari

The Khatam technique can also be applied to the famous Persian miniatures, thus creating true works of art.

Khatamkari

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