Architrcture , Art and Handicraft

Soltaniyeh Dome

2020/10/26/0 Comments/in Architrcture , Art and Handicraft /by Iran Tourism

The Dome of Soltaniyeh is the biggest brick dome in the world and the Mausoleum of Ilkhan Oljaytu.

The structure is a very exquisite mosque which is well-known in the world from the viewpoint of architecture, interior design and space.

The mausoleum of Oljaytu was constructed in 1302–12. Situated in the province of Zanjan, Soltaniyeh is one of the outstanding examples of the achievements of Persian architecture and a key monument in the development of its Islamic architecture.

It is an octagonal building, each side of which is almost 80 meters. The Soltaniyeh Dome is built in the Arg city or old fortification of Soltaniyeh, the capital of Oljaytu, an Ilkhan ruler.

The very large 50-m-high dome is the earliest extant example of its type, and became an important reference for the later development of the Islamic dome.

Similarly, the extremely rich interior of the mausoleum, which includes glazed tiles, brickwork, marquetry or designs in inlaid materials, stucco, and frescoes, illustrates an important movement towards more elaborate materials and themes.

Soltaniyeh Dome

The Mausoleum of Oljaytu thus speaks eloquently to the Ilkhanid period, which was characterized by innovations in structural engineering, spatial proportions, architectural forms, and decorative patterns and techniques.

The structure is the oldest double-shell dome in Iran. The dome is blue and is covered in turquoise blue faience. The inside roofs of the rooms are decorated with colored bricks and plasterwork.

There is a tall dome on each sides of the building which are about 120 meters each. On the upper part of the building, pavilions and rooms have been constructed.

On the sides of the ceiling, Quranic verses and names of God have been written in beautiful manifest handwriting, which is both a symbol of Iranian art and also a sign of the submission of Iranians to the last divine religion.

The dome, which is the largest in the world after Santa Maria and Hagia Sophia, has three sections of the main entrance, mausoleum and crypt.

The decoration and structure of the mausoleum is in fact a turning point in the architecture of that era, creating a new style in architecture distinct from that of the Seljuk era.

Some historians have recorded that Sultan Mohammad Khodabandeh built the great structure and dome to transfer the remains of the household of the Prophet, that is Imam Ali and Imam Hussein from their mausoleums to that place. However, he gave up the idea after a dream he had.

Soltaniyeh Dome

Meymand Village

2020/03/05/1 Comment/in Architrcture , Art and Handicraft, Kerman /by Iran Tourism

Meymand is a village in Kerman Province close to the city of Shahr-e babak where the founder of the Sassanid dynasty, Ardeshir the Unifier, is said to have been born. Based on archeological finds, experts believe the village is 3,000 to 8,000 years old. The village thrived under the Sassanid’s and even today Middle Persian words are common in the dialect spoken by villagers. Meymand village has been continuously inhabited for 2000 to 3000 years making it one of Iran’s four oldest surviving villages. Meymand resembles Cappadocia in Turkey and Kandovan Village in East Azerbaijan Province in that all three have stone-carved homes. Unlike Cappadocia which was abandoned by its residents, Meymand is still inhabited and while Kandovan was built to protect its population from attacks by the invading Mongol army in the 13th century, there is no evidence that Meymand ever came under attack. The village is a UNESCO world heritage site and was awarded UNESCO’s 2005 Melina Mercury prize.

Meymand is one of the districts of Shahr-e-Babak, and is one of the spectacular villages of Iran. Here there are a mass of crypts, with 15 stony, circular and roof-less chambers. The same covers an area of approximately 400 sq. m. This vicinity seems to be a place of burial, as skeleton bones and other articles have been found there. The ancient houses in this rural settlement resemble minarets constructed in the breast of these hard stone mountains. In this minaret shaped dwellings which are very strong and durable, are chambers, corridors and pillars displaying an intriguing architecture.

Meymand has extremely cold winters and mild summers. Villagers live a semi-nomadic lifestyle moving between four different settlements in the village throughout the year. From the end of winter until late spring, villagers live in Sar-e Aghol houses on the southern fields. There are in two different types Sar-e Aghol homes: Markhaneh and Mashkdan. Markhaneh structures are circular houses built partially underground to shelter inhabitants from the wind. They have low dry stone walls and roof coverings of wood and wild thistles. Temperatures inside these homes seldom vary and are almost always consistent. Mashkdan homes are built above ground and have dry stone walls with conical roofs made of branches. Some of the buildings used to house cattle have barrel vaulted brick or stone roofs.

Tehran National Garden

2020/01/12/0 Comments/in Architrcture , Art and Handicraft, Tehran, Tehran /by Iran Tourism

The National Garden is one of the buildings on Imam Khomeini street, which was known as the icon of the Tehran before the they create of Azadi Tower and is today one of the spectacular Iran attractions. The National Garden was built during the Qajar era and saw many changes in subsequent years. The National Garden was originally the gateway to the Mashgh Square, which was very important at that time. Shortly after building the gate, the first public garden entitled “National Garden” was founded in the lands of Mashgh square and so it has been renamed to “The Gate of National Garden”. It was then turned into a public park for a short while, and eventually important governmental offices and museums were constructed around it. In the upper part of the building, monitoring station, timpanist and the armed forces passage have been designed. The Gate of National Garden has a gateway for car pass and two for pedestrians.

Mashgh Square and this beautiful courtyard are built in Qajar dynasty. The square area was a military area and the Imperial military force practiced there, and this site was built at the time of Fath Ali Shah for this purpose. This area also had a central barrack, which the military forces were organizing there at that time, and therefore became known as the Mashgh Square. This Square was constructed during the period of Fath Ali Shah Qajar and was launched during Nasir al-Din Shah Period. At that time, a beautiful gate was constructed for the Mashgh square, which comprised with a two-arched door in south- eastern side of the field, and was known as the Naseri door, where in some days Nasir al-Din Shah, from above, Watched the military.

The National Garden is one of the architectural monuments of Iran which is a combination of Iranian and European architectural style and is more visible in paving and tile work. The National garden base, its eight columns and the legs of the pillars are made of brick. The exterior inscriptions are decorated with poems and in its tiling design they used two lions, leopards, lions and sun and machine guns. The building, which was originally intended as the gateway to the Mashgh Square, after a long time after its construction, the plan to create the first park or public garden in the city of Tehran was landed on this Square, and after that the name of the gate changed to the National Garden.

Abyaneh Village

2019/12/29/0 Comments/in Architrcture , Art and Handicraft, Isfahan, Kashan /by Iran Tourism

Abyaneh, which is also known as the Red Village because of its red soil and houses, is an ancient Iranian Village located at the foot of Karkas Mountain, 70 kilometers southeast of Kashan in Isfahan province. Abyaneh is a Village of living traditions and architectural styles. Researchers and archaeologists believe that the village originated about 1500 years ago and is one of the historical places in Iran that has become famous worldwide. According to archaeologists, the old mansions of the Abyaneh village were designed and built during the rule of the Seljuk, Qajar, Sassanid, and Safavid dynasties. Karkas Mountains and its surroundings were the hunting area for Safavid kings and Abyaneh was the destination for their summer vacation. Abyaneh’s high elevation causes cool summer and very cold winter days. Because of its mountainous setting, Abyaneh stayed isolated for many years and people’s customs and language is untouched and preserved. In Abyaneh people speak Farsi with a special dialect belonging to the village only. They still use some words from the Parthian era.

The Village is compact, with narrow and sloped lanes, and houses located on the slope as if placed on a stairway. The houses bear an ancient architectural style, featured by the use of clay as the construction material and latticed windows and wooden doors. Similar to other mountainous villages of Iran, Masouleh or Uraman Takht, Abyaneh has stepped structure with the roof of each house being the courtyard of the one above it.

One of the most interesting points about Abyaneh is the culture of its local residents. Elderly people of the village still speak Middle Persian, which was originally the language of Sassanian Persia and disappeared many centuries ago. The way people dress here is also very notable.Men wear a very loose pair of pants and the women’s traditional costume consists of a long colorful dress, along with a special pair of pants, and a white long scarf with colorful floral design named Charghad. Almost all of the women in the village wear this costume, just like their ancestors. And this tradition makes Abyaneh even more special.

Besides the charismatic beauty of the village, there are historic monuments as well. There is a Zoroastrian fire temple dating back to the Sassanid period, three castles, a pilgrimage site, and two mosques. The most famous monument of Abyaneh is The Great Mosque, with an ancient Mihrab made of walnut wood covered with carvings of calligraphy and floral designs. The Great Mosque is closed and cannot be visited because of its very long and valuable history.

Niavaran Palace Complex

2019/12/23/0 Comments/in Architrcture , Art and Handicraft /by Iran Tourism

Niavaran Palace Complex is situated in the northern part of Tehran with 9000 square meters area in Niavaran Neighborhood. This oasis complex is consists of several parts including palaces, museums, and garden. Niavaran Complex traces its origin to a garden in this region which was used as the summer residence of Fath Ali Shah of the Qajar dynasty. It consists of several buildings and a museum. A pavilion was built in the garden by the order of Naser al-Din Shah which was initially referred to as Niavaran and later it was renamed to Saheb Qaraniyeh. The pavilion of Ahmad Shah was also built in the late Qajar period.

During the reign of Mohammad Reza Pahlavi all the peripheral buildings of The Saheb Qraniyeh Palace, with the exception of The Ahmad Shah Pavilion, were demolished and the buildings and the structures of the present day Niavaran Palace Complex were built to the north of The Saheb Qaraniyeh Palace. In this period, The Ahmad Shah Pavilion served as an exhibition area of the presents of the world leaders to Iran.

The quadrilateral design of the palace and its interior archeological designing is inspired by Iranian archeology while making use of modern technology. Its decorations have also been inspired by the pre and post Islamic art. The gypsum work has been carried out by Master Abdollahi, the mirror work by Master Ali Asghar, the tile work of the outer part by Master Ibrahim Kazempour and Ilia. The building floor is covered by black stone and has an aluminum sliding roof. The internal decoration and furniture of the palace have been designed and implemented by a French group. In the ground floor of this building there is a great hall in which all the rooms are situated, including a private cinema, dining room, guest room, waiting room and lateral halls as well as the Blue Hall.

The amazing library of the palace consists of around 23,000,000 books, mostly in Persian and French languages and especially many books related to philosophy. The building is designed by bronze and glass and the structure is lit well by 300 cylinders that supply the needed lighting of the reading room, audio visual room and the main library. In the basement of this private library, there is a special place for storing paintings and other artifacts.

Golestan Palace

2019/12/17/185 Comments/in Architrcture , Art and Handicraft, Tehran, Tehran /by Iran Tourism

Golestan Palace in Tehran is a fine example of Persian art, history, and architecture. It is the valuable gem sitting in the heart of Tehran carrying memories from Safavid era to Pahlavi kings. Palace complex consists of eight key palace structures mostly used as museums and the eponymous gardens, a green shared center of the complex, surrounded by an outer wall with gates. The complex exemplifies architectural and artistic achievements of the Qajar era including the introduction of European motifs and styles into Persian arts. It was not only used as the governing base of the Qajar Kings but also functioned as a recreational and residential compound and a center of artistic production.

Golestan Palace represents a unique and rich testimony of the architectural language and decorative art during the Qajar era represented mostly in the legacy of Naser al-Din Shah. It reflects artistic inspirations of European origin as the earliest representations of synthesized European and Persian style, which became so characteristic of Iranian art and architecture in the late 19th and 20th centuries. It represents an important example of the merging of Persian arts and architecture with European styles and motifs and the adaptation of European building technologies, such as the use of cast iron for load bearing, in Persia. As such Golestan Palace can be considered an exceptional example of an east-west synthesis in monumental arts, architectural layout and building technology, which has become a source of inspiration for modern Iranian artists and architects. Also, parts of the palace complex can be seen as the origins of the modern Iranian artistic movement.

Golestan Palace stands on the site of the historic Arg of Tehran which was originally built in the time of Shah Abbas of the Safavid dynasty. Buildings commissioned by Naser Al-din Shah such as the Shams ol-Emaneh and the Badgir Mansion show traces of a European architectural style and building technology that the modernizing king was influenced by on his travels.

The Golestan Palace complex is made up of 17 buildings with eight key structures. In its present form, it comprises several different buildings and halls, including the following: the Marble Throne Building, Karim Khani Palace, Diamond Hall, the Wind Tower Building, Hall of Ivory, Shams ol-Emareh, Reception Hall, Special Museum, Hall of Mirrors, Hall of Brilliant Diamonds, White Palace, and the Chador Khaneh or Tent House.

Naqshe Jahan Square

2019/12/13/1 Comment/in Architrcture , Art and Handicraft, Isfahan, Isfahan /by Iran Tourism

Naqshe Jahan is a public urban square in the center of Esfahan. It is one of the largest city squares in the world and an outstanding example of Iranian and Islamic architecture. Built by the Safavid shah Abbas I in the early 17th century, the square is bordered by two-story arcades and anchored on each side by four magnificent buildings: to the east, the Sheykh Lotfollah Mosque; to the west, the pavilion of Ali Qapu; to the north, the portico of Qeysariyeh; and to the south, the celebrated Royal Mosque. All of the architectural elements that delineate the square, including its arcades of shops, are aesthetically remarkable and adorned.

The Naqshe Jahan was at the heart of the Safavid capital’s culture, economy, religion, social power, government, and politics. Its vast sandy esplanade was used for celebrations, promenades, and public executions, for playing polo and for assembling troops. The arcades on all sides of the square housed hundreds of shops; above the portico to the large Qeysariyeh bazaar a balcony accommodated musicians giving public concerts; Ali Qapu was connected from behind to the throne room, where the shah occasionally received ambassadors. In short, the royal square of Esfahan was the preeminent monument of Persian socio-cultural life during the Safavid dynasty.

Throughout the history, the square has been used for performing all kinds of festivals, parades, and ceremonies such as; national, governmental and popular ceremonies. Also this is a square just about perfect for a game of polo. The stone goal posts still exist in north and south ends of Naqshe Jahan Square. Polo and horse riding are two of the ancient Persian sports mixed together, played not only for leisure, but also as a display of bravery of men in wars. The royal household would watch the games from the balcony of Ali Qapu Palace. Apart from this, some executions took place in Naqshe Jahan Square. For the present, Naqshe Jahan Square or Imam Square is still used for performing ceremonies and parades on special occasions. There are Traditional shops all around the square for you to explore. Also, Carriage rides are a wonderful way to experience the beauty of the Naqshe Jahan Square.

Shah Abbas II was enthusiastic about the embellishment and perfection of Ali Qapu. His chief contribution was given to the magnificent hall, constructed on the third floor. The 18 columns of the hall are covered with mirrors and its ceiling is decorated with great paintings. The Ali Qapu has multiple connotations, but generally connotes entrance or supreme gate to the complex of palaces and public buildings of the Safavid Government.

Persian Miniature

2019/11/20/1 Comment/in Architrcture , Art and Handicraft /by Iran Tourism

A Persian miniature is a small painting, whether a book illustration or a separate work of art intended to be kept in an album of such works and it is briefly a richly detailed miniature painting which depicts religious or mythological themes from the region of the Middle East. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts, which probably had an influence on the origins of the Persian tradition. Miniature painting became a significant Persian form in the 13th century, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents.

Miniatures are much the best-known form of Persian painting in the West. Several features about Persian miniatures stand out. The first is the size and level of detail; many of these paintings are quite small, but they feature rich, complex scenes which can occupy a viewer for hours. Classically, a Persian miniature also features accents in gold and silver leaf, along with a very vivid array of colors. The perspective in a Persian miniature also tends to be very intriguing, with elements overlaid on each other in ways which sometimes feel awkward to people who are accustomed to the look and feel of Western art. The Persian miniature was probably inspired by Chinese art, given the very Chinese themes which appear in some early examples of Persian miniatures. Many of the mythological creatures depicted in early Persian art, for example, bear a striking resemblance to animals in Chinese myth. Over time, however, Persian artists developed their own style and themes, and the concept of the Persian miniature was picked up by neighboring regions.

Kamal al-Din Behzad Heravi was a painter of Persian miniatures and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid periods. He is equally skilled with the organic areas of landscape, but where he uses the traditional geometric style Behzad stretches that compositional device in a couple ways. One is that he often uses open, unpatterned empty areas around which action moves. Behzad’s most famous works include The Seduction of Yusuf from Sa’di’s Bustan and paintings from the British Library’s Nizami manuscript particularly scenes from Layla and Majnun and the Haft Paykar.

The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent.

Persian Tile Work

2019/11/07/206 Comments/in Architrcture , Art and Handicraft, Isfahan, Isfahan /by Iran Tourism

The history of tile manufacturing and decorating goes back to the prehistoric period and has an important position among the various decorative arts in Iranian architecture. Iran has the most beautiful tile work in the world. Over the centuries, glazed bricks and tiles have been used to decorate palaces, mosques, monuments, mausoleums, official buildings, schools, and shops.

The importance of tile work in Persian architecture arises from two important factors; first the need to weatherproof the simple clay bricks used in construction, and second, the need to ornament the buildings. Tiles were used to decorate monuments from early ages in Iran.

Evidence of brick work, stucco carving and tile panels from the last 14 centuries have provided much evidence of creative and imaginative nature of Persian Artisans. They placed their art in the service of religious architecture. This religious inspiration found its highest expression in ornate inscriptions, which decorated so many works during these centuries. Mosaic patterns were the first step in the evolution of tile decoration. Imaginative and creative artisans put together mosaic patterns using bits of colored stone and brick and created patterns of triangles, semi-circles and circles in harmony with the structures they were placed on. These patterns later evolved into design of natural subjects, such as plants, trees, animals and human beings.

The art of tile working blossomed in the Islamic period of Iran. It became the most important decorative feature of religious buildings. In Safavid era, artists used Naskh and Thulth scripts. Works of famous calligraphers, such as Alireza Abbasi, Mohammad Saleh Isfahani, Mohammad Reza Imami and Hossein Banna have been found. One of the famous mosques in Isfahan enjoying a rich variety of tile work is Khayyatha Mosque which researches has done lots of examination on it.

Engraving

2019/10/10/2 Comments/in Architrcture , Art and Handicraft, Isfahan /by Iran Tourism

Engraving (Ghalam Zani) is the art of carving designs on various metals such as copper, brass, silver, gold and also some alloys. It’s one of the traditional handicrafts of Iran that its origin goes back to the Sogians period that lived in Caucasus around 5000 to 7000 years ago and had Aryan origins.

Resuming this art is due to the diligent attempts of Ostad Mohammad Oraizi and Ostad Mohammad Taghi Zufan during the past eighty years, which has been led to creating tens of outstanding and distinguished metal engravings on the one hand and training the new generation on the other.

The decorations are going to be performed on material which has already been shaped with hammer and anvil by another skillful artist. Metalworking masters are those who work with different sorts of metal sheets shaping them in to beautiful dishes, vases, boxes, samovars, and etc. and preparing them to be engraved.

Nowadays, due to the hard job and old getting of the masters, the preparation of the metal dishes is sometimes getting performed by machinery.

The intricate process of creating each and every piece requires extensive skill, talent, and patience extended by the artists. The artistic movement of the engraver’s hand and the harmonized blows of the hammer and engraving tool will be finally led to creating a unique job.

Different scenes from nature, animal and human shapes, flower and plant patterns, hunting grounds, etc., are some of the many aesthetic images hand-portrayed and carved on many kinds of Ghalam Zani pieces.

The enchanting Ghalam Zani handicrafts are made in the shape of decorative trays, plates, vases, pitchers, etc. This magnificent art has a long history dating back to more than several thousand years ago. Excavated Ghalam Zani artifacts belonging to the Sassanian, Saljoughi, and Safavid eras are currently displayed at various museums across the world.