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Persian Tile Work

The history of tile manufacturing and decorating goes back to the prehistoric period and has an important position among the various decorative arts in Iranian architecture. Iran has the most beautiful tile work in the world. Over the centuries, glazed bricks and tiles have been used to decorate palaces, mosques, monuments, mausoleums, official buildings, schools, and shops.

Persian Tile Work

The importance of tile work in Persian architecture arises from two important factors; first the need to weatherproof the simple clay bricks used in construction, and second, the need to ornament the buildings. Tiles were used to decorate monuments from early ages in Iran.

Persian Tile Work

Evidence of brick work, stucco carving and tile panels from the last 14 centuries have provided much evidence of creative and imaginative nature of Persian Artisans. They placed their art in the service of religious architecture. This religious inspiration found its highest expression in ornate inscriptions, which decorated so many works during these centuries. Mosaic patterns were the first step in the evolution of tile decoration. Imaginative and creative artisans put together mosaic patterns using bits of colored stone and brick and created patterns of triangles, semi-circles and circles in harmony with the structures they were placed on. These patterns later evolved into design of natural subjects, such as plants, trees, animals and human beings.

Persian Tile Work

The art of tile working blossomed in the Islamic period of Iran. It became the most important decorative feature of religious buildings. In Safavid era, artists used Naskh and Thulth scripts. Works of famous calligraphers, such as Alireza Abbasi, Mohammad Saleh Isfahani, Mohammad Reza Imami and Hossein Banna have been found. One of the famous mosques in Isfahan enjoying a rich variety of tile work is Khayyatha Mosque which researches has done lots of examination on it.

Persian Tile Work

Khatamkari

Khatamkari literally means decorating objects’ surfaces with small pieces like tiles and it is one of the Persian arts wherein the surface of wooden or metallic articles is decorated with pieces of wood, bone and metal cut in a variety of shapes and designs.

Khatamkari

This art, to some extent, has existed in Iran from long ago. Inlaid articles in the Safavid era took on a special significance, as artists used this art on doors, windows, mirror frames, Qur’an boxes, pen and pen holders, lanterns and tombs.

Khatamkari

Also, in some royal buildings, doors and various items have been inlaid. The inlaid-ornamented rooms in Sa’dabad and Marble Palace in Tehran are among masterpieces of this art.

Khatamkari

Incorporating techniques from China and improving it with Persian know-how, this craft existed for more than 700 years and is still practiced in Shiraz and Isfahan.

How to do it

Gold, silver and etc. can be used for collector coins. These rods are first assembled into triangular beams with geometric patterns, and then these are assembled again and glued into bundles in a strict order to form a cylinder of about 70cm, whose edge shows the unity of the base of the final decoration.

Khatamkari

These cylinders are then sheared in shorter cylinders, then compressed and dried between two wooden plates, before undergoing a final cut that makes slices of about 1 mm in thickness. The latter are then ready to be plated and glued on the support object to be decorated before being lacquered. They can be preheated to soften them, if the object is curved, so that they can perfectly marry the curves. The decorated objects are: boxes, chess or backgammon, frames, or even musical instruments.

Khatamkari

The Khatam technique can also be applied to the famous Persian miniatures, thus creating true works of art.

Khatamkari